Art history - Portraiture and its cultural context. Visual artistic analysis of artwork

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History, romanticism in Europe, art and literature during the renaissance period interest me greatly. This work would enable me to research into some of these aspects, which would make my work enjoyable too. I would be only too happy to discuss further with you regarding your programme, work schedule etc.

Hello! I have obtained a Bachelor's degree in Theatre Directing and a Master's one in Philosophy - so I dare say I've done multiple tasks similar to yours very frequently. I can analyze the connection to the given historical context and also the painter's position on the problem, intertwining it with what he wants to represent. I'd love to know what the painting is - so I can suggest - given that you're interested - you tell me the name over chat. I can tell you how I plab to structurize my work - and see if it fits you. In my portfolio here you can also check out something similar I did for another client - but it was about a play from ancient Greece, Antigone. I an available for chat, should you decide you're interested. Looking forwars to your reply! Kindest regards.

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Hi, I'm an experienced Researcher/Writer. I love art history and have taught art instruction in school. Lets write this paper! James

Hi, I am Shikha and I have a Master's degree in Economics. I have spent around 2 years working with content creation. The core values I strive for are punctuality and quality work. During the process of the work agreement, the communication is guaranteed to be prompt and efficient with a consideration of the additional requests if and when they arise. The Language of Cinema: Visuals Les Misérables (2012), another one of the highly satirical narratives, was the adaption of the book with the same name. A very prominent feature about cinema which adapted movies such as Les Misérables highlight is the importance of visuals which are incorporated from the written texts. In the modern times, many people prefer cinema over their original books, just because of the concise and entertaining nature of it which is illustrated by all types of visuals and due to the abundance of visuals, the narrative has slowly started to subdue. Citing the films from the early era before 1906, Gunnings (1986) has put forward an interesting aspect as ‘The Cinema of Attraction’ which rejoices the art of ‘showing’, which can be very abstract, yet specific on many grounds. For a more conclusive set of arguments, let's start with the expansion of a protagonist’s environment. In the movie Hugo (2011), the same set of interiors of a train station are displayed repetitively so as to instill a sense of familiarity within the audience. Hoping to hear from you. Shikha

I am a graduate professor in art history, criticism, and theory, a publishing critic for the visual arts, and an exhibit curator for paintings.